Rembrandt and ‘The Night Watch’

When Rembrandt was commissioned to paint the piece in 1642 by the Amsterdam civic guard, it was intended to be a group portrait of the guard’s officers. However, Rembrandt took a unique approach to the painting by creating a dynamic composition that included all of the members of the guard, with some in the foreground and others in the background.

The painting was a departure from the traditional group portrait style of the time, and some of the members of the guard were not happy with the unconventional approach. They complained that they could not see themselves clearly in the painting and that they were not given the prominence they felt they deserved.

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To make matters worse, the painting was quite large and did not fit well in the space for which it was intended. In order to make it fit, Rembrandt was forced to cut off some of the figures on the sides of the painting.

Despite these challenges, “The Night Watch” was completed and displayed in the Amsterdam city hall. It became an instant sensation, and people flocked to see the groundbreaking piece.

However, over time, the painting became dirty and discolored, and in the 18th century, it was decided that it needed to be cleaned. Unfortunately, the restoration efforts went too far, and some of the original paint was removed.

In the early 20th century, the painting was moved to the Rijksmuseum in Amsterdam, where it remains today. In 1975, it underwent a major restoration effort that removed the old varnish and revealed the painting’s original colors and details.

Today, “The Night Watch” is considered one of the most important works of art in the world, and it remains a testament to Rembrandt’s innovative approach to painting and his ability to create dynamic and powerful compositions.

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